Course Curriculum
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1
Prior to Importing
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Overview
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Bit Depth, Sample Rate, and File Format
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Audio Bit Depth and Sample Rate
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Audio File Formats
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Video File Formats
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Configuration of Stereo Files
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Knowledge Check
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2
Importing Audio
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Quick Tour: Importing Audio
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Import Audio Dialog Box
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Importing Audio with the Import Command
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Importing Audio with Workspace Browsers
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Batch Importing Audio
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Importing Audio from an Audio CD
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Knowledge Check
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3
Importing Video
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Quick Tour: Importing Video
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Enabling the Video Engine
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Importing Video
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Video Track Display
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Working with Video Tracks
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Knowledge Check
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4
Exercise: Importing Audio
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Importing Audio
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Instructor

Mark Cross
Mark Cross is an award winning Producer, Composer, Mixer, Educator and Author with an extensive discography in both film and television that spans over 2 decades.
As a Engineer / Mixer Mark has worked on numerous albums, film scores, and television episodes, including the Grammy-winning “I Am Shelby Lynne”, Randy Newman’s Oscar-nominated and Grammy-winning “CARS” and “Meet the Parents” score and soundtracks, along with mixing hundreds of episodes of the NBC prime time series: ER. Additional film credits include: Alien Resurrection, Seabiscuit and Beavis and Butthead Do America.
As a composer he has created original music for the NBC Prime Time Series: Last Comic Standing as well as contributing additional music for: American Idol, Curb Your Enthusiasm and The CBS Evening News (and most recently for HBO’s: Getting On and Comedy Central’s: Key and Peele). Mark has created musical themes for Nickelodeon’s Wow Wow Wubbzy, the Seinfeld Season 8 DVD, as well as producing and performing with Grammy winner John Legend on HBO’s: Curb Your Enthusiasm.
Additionally, Mark authored the renowned book, “Audio Post Production for Film and Television”. This introduction to audio post production is based on his vast and diverse background along with the input and experience of numerous A-list professionals and addresses all aspects of working with dialogue, music and sound effects for film and television. Many of these professionals and institutions recognize this textbook as the “ De Facto / Go To” book for anyone interested in studying audio post production.